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ITC Officina Sans supports up to 81 different languages such as Spanish, English, Portuguese, German, French, Turkish, Italian, Polish, Kurdish (Latin), Romanian, Dutch, Hungarian, Serbian (Latin), Kazakh (Latin), Czech, Swedish, Belarusian (Latin), Croatian, Slovak, Finnish, Danish, Lithuanian, Latvian, Slovenian, Irish, Estonian, Basque, Luxembourgian, and Icelandic in Latin and other scripts. Download ITC Officina Sans Std font for PC/Mac for free, take a test-drive and see the entire character set. Moreover, you can embed it to your website with @font-face support. ITC Officina Sans Std Bold Font Download Free. Removed by the author request. Try Search Again. Views 1 / Downloads 40. ITC Officina Sans Std Bold download free in category basic, various. Font Style: Bold. ITC Officina Sans Std Bold Font Author: Erik Spiekermann.
Itc Officina Sans Book
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for Windows
ITC Officina Sans Std Bold Italic is the perfect font for all your fun designs. ITC Officina Sans Std Bold Italic was designed by Erik Spiekermann. You can also visit the author website, clicking here: http://http.www.adobe.com.type. The font family is ITC Officina Sans Std. And sub-family is Bold Italic.
About the font ITC Officina Sans Std Bold Italic
ITC Officina Sans Std Bold Italic is free for personal use only. Please, talk with the author for commercial use or for any support.You can use the ITC Officina Sans Std Bold Italic to create interesting designs, covers, shop and store name and logos.
The font ITC Officina Sans Std Bold Italic is also perfect for branding projects, Homeware Designs, Product packaging – or simply as a stylish text overlay to any background image.
Itc Officina Serif
Check also these alternatives ITC Officina Sans Std Bold Italic | |
Download free font: ITC Officina Sans Std Bold Italic | |
Family | ITC Officina Sans Std |
Sub-family | Bold Italic |
Version | OTF 1.018;PS 001.000;Core 1.0.31;makeotf.lib1.4.1585 |
Author | Erik Spiekermann |
Company | |
Site | http://http.www.adobe.com.type |
Copyright | ITC Officina is a trademark of International Typeface Corporation |
Licence | For personal use only |
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Officina started under the working title ITC Correspondence in 1988 and was designed for office documents and business correspondence produced on low-resolution (laser-)printers.
Inspired by the typewriter faces Letter Gothic and Courier Spiekermann began to work on the sans, also with an eye on the font he designed for the German Post (and later became FF Meta). His friend Gerard Unger offered to help with the seriffed version but had to go further with different projects after the first sketches for the testword »Hamburgefons«. The Sans was the narrow face, like Letter Gothic was the 12-pitch typewriter face (12 characters to an inch), while Courier was the 10-pitch one.
In 1989 Just van Rossum assisted in finishing the Sans and together with Spiekermann added the slab serif to the Sans. Unger’s Serif version remains a sketch. URW generated the font-data and added the rounded edges. When the proofs came from ITC in the summer of 1990, Spiekermann first was quite disappointed finding his discreet hanging figures changed into standard ones.
Inspired by the typewriter faces Letter Gothic and Courier Spiekermann began to work on the sans, also with an eye on the font he designed for the German Post (and later became FF Meta). His friend Gerard Unger offered to help with the seriffed version but had to go further with different projects after the first sketches for the testword »Hamburgefons«. The Sans was the narrow face, like Letter Gothic was the 12-pitch typewriter face (12 characters to an inch), while Courier was the 10-pitch one.
In 1989 Just van Rossum assisted in finishing the Sans and together with Spiekermann added the slab serif to the Sans. Unger’s Serif version remains a sketch. URW generated the font-data and added the rounded edges. When the proofs came from ITC in the summer of 1990, Spiekermann first was quite disappointed finding his discreet hanging figures changed into standard ones.
Originally, there were just the Regular and Bold weights with their Italics. Ole Schäfer added extra weights, some time in the mid-90s while still at college. He then joined Spiekermann’s design studio in Berlin, MetaDesign, where they also worked on various exclusive typefaces for companies and publishers. Ole’s FF Zine came out of one of those projects (for Leipziger Zeitung), as did some of Lucas de Groot’s fonts, who also worked at MetaDesign with Spiekermann.
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Officina Sans Book Font Free
Eventually, ITC added all the features like old style figures and small caps to the family.